Université Paris 1 Panthéon-Sorbonne
Institut des sciences juridique et philosophique de la Sorbonne (UMR8103) Centre de philosophie contemporaine de la Sorbonne (PhiCo)
La pensée du cinéma
The Thought of Movies
En hommage à Stanley Cavell (1926-2018)
Colloque International
International Conference
Université Paris 1 Panthéon Sorbonne
Institut des sciences juridique et philosophique de la Sorbonne
Cinéma Le Champo
Paris, June 11th, 13th-15th, 16th 2019
Avec le soutien de/ sponsored by :
Institut Universitaire de France
Institut d’Asie Orientale, ENS de Lyon
Institut Acte, Université Paris 1
Programme JSPS/CNRS Education to Democracy
Editions Vrin
Editions Flammarion
PROGRAMME
Tuesday, JUNE 11th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
20h – Opening of the Champo “Semaine Cavell”: A. de Baecque, E. Domenach, S. Laugier
Comment je me suis disputé… (ma vie sexuelle) (1996, 2h58) presented by Arnaud Desplechin
Thursday, JUNE 13th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
18h – Welcome
Sandra Laugier (Université Paris 1 Panthéon Sorbonne), Elise Domenach (ENS Lyon)
18h15 William Rothman (University of Miami): The Same Again, Only a Little Different: Cavell’s Two Takes on The Philadelphia Story
19h Cocktail
20h The Lady Eve , Preston Sturges (1941)) or His Girl Friday , Howard Hawks (1940)), presented by Marc Cerisuelo (Université Marne La Vallée).
Friday, JUNE 14th, 2019
Université Paris 1 Panthéon Sorbonne
17 rue de la Sorbonne 75005 Paris
UFR de philosophie, salle Cavaillès, Escalier C, 1 er étage
Chair: Piergiorgio Donatelli (Universita Roma La Sapienza)
9h Stephen Mulhall (Oxford University) ‘ The Alphabet of Us’: Miracles, Messianism and the Baseline Test in Blade Runner 2049
9h45 Naoko Saito (Kyoto University) What measures justice? What justifies happiness?: Mr. Deeds Goes to Town
10h15 Discussion
10h30 Ethics of Film
Chair: Alice Crary (Oxford University)
Daniele Lorenzini (Université Saint-Louis – Bruxelles & University of Warwick) From Recognition to Acknowledgment: Movies, Passions, and Conversations
Victor Krebs (University Pontifical Lima) Film as Praise
Hugo Clémot (Tours) Cinéthique et perfectionnisme
Piergiorgio Donatelli Filming democracy: reciprocity and irony
12h30 Lunch (Café Ecritoire, place de la Sorbonne, on registration)
14h Genres: Remarriage, Melodrama
Chair: Russell Goodman (University of New Mexico)
Martine de Gaudemar (Université Paris Nanterre) Cavell et le monde des femmes
Grégoire Halbout (Université de Tours) De la comédie du remariage à la comédie screwball
David LaRocca (Cornell University) Watching Home Movies with Stanley Cavell
15h30 Popular Culture
Chair: Victor Krebs
Philippe Corcuff (Science Po Lyon) Figures de la théorie critique et de la désobéissance dans le jeu de langage cinématographique, avec Cavell, au-delà de Cavell
Pauline Blistène (Univ. Paris 1) The Thought of TV Series: Realism and Education
Sandra Laugier (Université Panthéon Sorbonne, ISJPS) Ordinary Ethics and Popular Culture
17h15 Short Break
Chair: Elise Domenach (ENS Lyon, IAO)
17h30 Paul Standish (UCL) Between loud mouths and thin lips: confidence, profession, and the aesthetics of philosophy
18h D.N. Rodowick (University of Chicago) Cavell, Community, and Contemporary Art
18h30 Discussion
19h15, Librairie Vrin 6 place de la Sorbonne
Book presentations:
La Projection du monde ( The World Viewed ), Belin, 1999, new edition, Vrin, 2018
Philosophie des salles obscures ( Cities of Words ), 2011, reprint, Flammarion
Reception
Saturday, JUNE 15th, 2019
Université Paris 1 Panthéon Sorbonne
17 rue de la Sorbonne 75005 Paris
Sessions 9h-10h45
9h00-10h45 Session 1, Salle de formation de la Bibliothèque Interuniversitaire de la Sorbonne
Moral Education , chair Pierre Fasula (ISJPS, Univ. Paris 1
Léa Boman (Univ. Paris 1) Ordinary Life, self-reliance and emersonian perfectionism in Cities of Words
Christian Walter (FMSH, ISJPS ) A difficulty of moral perfectionism: the role of money in Chariots of fire (1981 ), Rush ( 2013) and Everest (2015)
Tristan Chetrit (Univ. Paris 1) Eternal Sunshine of the Spotless Mind: A Comedy of Remarriage?
Kate Rennebohm (Harvard University) Reviewing Moral Perfectionism
Eric Ritter (Vanderbilt University) Gender, Remarriage Comedy, and New Television in the work of Judd Apatow
9h00-10h45 Session 2 Salle Lalande UFR de philosophie Univ. Paris 1, Escalier C, 1 er étage
Realism, chair Marco Dell’Omodarme (Paris 1 Panthéon Sorbonne-ACTE)
E. Hallé Saito (ENS Lyon) Cinematic Realism and the Sense of Loss. Antonio Pietrangeli and the Melodrama of the Unkown Woman
Yves Erard & Francis Mobio (Université de Lausanne ) Stanley Cavell and Robert Gardner’s anthropological cinema: projecting self-evidence?
Olivia Poiatti (ISJPS) Women’s voice in film and the legacy of opera: a matter of desire
Matthew Congdon (Vanderbilt) What is a Type? Individual and Species in The World Viewed
Vincent Zeis (Univ. Montréal) Stanley Cavell and Quentin Tarantino – Kill Bill (2003) read through Contesting Tears: The Melodrama of the Unknown Woman (1996)
11h
Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2 e étage
Chair: Sandra Laugier
11h Richard Moran (Harvard University) Cavell sur l’activité et la passivité dans l’expression photographique
11h45 Paola Marrati (Johns Hopkins University) La quête de l’existence. Sur The World Viewed et Gaslight
12h30 Lunch, Centre Panthéon, Galerie Soufflot, Ground Floor, 12 place du Panthéon, 75005 Paris (registration)
Afternoon
Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2 e étage
14h-15h45 What Becomes of Things on Screen
Chair: Paola Marrati
Byron Davies (UNAM) Accidents Made Permanent: Theater and Automatism in Stanley Cavell
Jean-Philippe Narboux (Univ. Bordeaux Montaigne) How Series Think
Christian Martin (Universität Leipzig) The Invisible on Screen
Martin Shuster (Goucher College) Screen and World
15h45 Short Break
16h-17h45 Cavell at Criticism
Chair: José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE)
Marc Cerisuelo Philosophie, cinéphilie, critique
Murielle Joudet ( Le Monde) A la recherche du woman’s picture
Elise Domenach Film criticism: rethinking the « aesthetic possibilities » of the medium
Andrew Klevan (Oxford University) Cavell at (Film) Criticism
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
18h Le Rayon Vert (Eric Rohmer, 1986), English subtitles, presented by Antoine de Baecque (ENS Ulm)
Sunday, JUNE 16th, 2019
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris
14h Groundhog Day (Un jour sans fin , Harold Ramis, 1993) OR The Wedding Banquet ( Garçon d’honneur , Ang Lee, 1993) presented by Sandra Laugier and David Cavell
Organisé par/ organized by :
Sandra Laugier, Université Paris 1 Panthéon Sorbonne
Elise Domenach, Ecole Normale Supérieure de Lyon
Speakers/chairs:
Pauline Blistène (Université Paris 1 Panthéon-Sorbonne)
Marc Cerisuelo (Université Marne La Vallée)
Philippe Corcuff (Science Po Lyon)
Alice Crary (Oxford University)
Antoine de Baecque (ENS Paris)
Martine de Gaudemar (Univ Paris X Nanterre)
Byron Davies (UNAM)
Marco Dell’Omodarme (Université Paris 1 Panthéon-Sorbonne, ACTE)
Piergiorgio Donatelli (Roma La Sapienza)
Pierre Fasula (ISJPS, Université Paris 1 Panthéon Sorbonne)
Russell Goodman (University of New Mexico)
Grégoire Halbout (Université de Tours)
Andrew Klevan (Oxford University)
Victor Krebs (Université Pontificale Lima)
David LaRocca (Cornell University)
Daniele Lorenzini (Centre Prospéro, Université Saint-Louis – Bruxelles)
Paola Marrati (Johns Hopkins University)
Christian Martin (Universität Leipzig)
Richard Moran (Harvard University)
José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE)
Stephen Mulhall (Oxford University)
Jean-Philippe Narboux (Université Bordeaux Montaigne)
D.N. Rodowick (University of Chicago)
William Rothman (University of Miami)
Naoko Saito (Kyoto Univeristy)
Martin Shuster (Goucher College)
Paul Standish (University College London)
Sessions:
Léa Boman (Université Paris 1 Panthéon Sorbonne)
Tristan Chetrit (Université Paris 1 Panthéon Sorbonne)
Matthew Congdon (Vanderbilt University)
Yves Erard (Université de Lausanne)
Esther Hallé Saito (ENS Lyon)
Francis Mobio (Université de Lausanne)
Olivia Poiatti (Univ. Paris 1)
Kate Rennebohm (Harvard University)
Eric Ritter (Vanderbilt University)
Christian Walter (FMSH, ISJPS)
Vincent Zeis (Univ. Montréal)